Daily Drawings and Water Witches

Here are a few new drawings from last week:
Water Witch Running through Green
pencil, machine stitching and fabric paint on paper

Water Witch Floating
pencil, machine stitching and fabric paint on paper

Water Witch Mirage
pencil, machine stitching and vintage fabric on paper

I’ve been working with this Water Witch motif for a few years now… since these L.A. Mirages from 2003. So long that they’ve taken on a bit of a persona and go about performing actions as any other character might.

Part of the initial reason for the birth of the water witch in my work was because Los Angeles was so dry and I was always craving and wanting to divine water and rain. So, the divining rod, also called the “water witch” seemed the likely trope for such urges.

The other reasons for the motif and my preference for the name “water witch” over "divining rod" were political. There is the more obvious governmental politics behind Los Angeles moving and stealing water from other locations, but I was more interested in acts of divining in terms of gender and art politics.

While I was working on the very clean photographic L.A. Mirages and similar video work (where my hands never got dirty), I began to step-up the other part of my materially-based practice of painting, drawing and fiber (what I’d moved away from in graduate school).

In moving back to materials and studio, I felt like (because I’d been trained to have this response) that I was doing something “witchy” and outside the mainstream of contemporary art practice. In other words, I was doing things that had become feminized within the field of art. I had turned myself into something of an “art witch” as I heretically toyed with ideas and materials and styles that were considered outside acceptable practice for someone of my background and training.

Despite the heaviness of all that… these are fun and playful little pieces for me.

August First Friday: Shoebox Sculpture, Aaron McIntosh and the new studio orientation

We had another excellent First Friday last week with the chance to talk to several people we hadn’t seen in a while and the opportunity to meet more cool new folks. I only looked into a couple of other galleries by recommendation from some of my visitors who referred me next door to the Shoebox Sculpture exhibit at UT’s Downtown Gallery and across the way to see the excellent work of Aaron McIntosh at 1010.

I didn’t have much time or room (the gallery was pretty crowded) to spend with the Shoebox Sculptures at the Downtown Gallery, so I’ll have to go back over the next few days. One of the sculptures really leapt out at me though: Brooklyn artist John Drury’s Shoe Nut… a lovely little piece constructed from the tips of two wingtip shoes.

Continuing with the men’s wear theme...

Across the way at 1010, fiber artist Aaron McIntosh was exhibiting some stitched target / breast-like imagery similar to this work where he’s mentioned in this issue of Fiberarts Magazine as a young talent to watch. Click on his name to see the work. He is definitely a rare and exceptional talent.

I was most taken with an image on one of Aaron’s cards from a previous show. The quilted piece is titled Family Tree 1 and is constructed from men’s pants fabrics, romance novel pages, cotton batting and thread stitching. I couldn’t find a link to the completed piece, but here’s a picture of the artist working on it. You can get a good sense of how the whole thing looks with these paired and singular egg-like textual parts peeking through (with what looks like reverse appliqué) from the somber grey, taupe, black, etc. of men’s woolens.

For more of Aaron McIntosh’s work scroll down to his name and click on images.

Back across the street at my open studio... here’s a pic of the new set-up since I’ve rotated into my new space:
Barely got this pulled together before First Friday. I’m still not completely moved in. The flowers to the right were a gift from fiber artist Judi Gaston in celebration of the new space. Judi wasn’t able to be at First Friday because she was opening another exhibit at Aerial Gallery in Asheville.