Decay Under a Bright Blue Sky

I had several pieces professionally photographed yesterday. Below is one of my favorites. It's a humble and poetic little piece (17" x 35") of which I'm very fond. It was part of the Perfect Fall series, and though it's a bit out of season I'm showing it now because I have the image. Will show more of the professionally photographed images later. But for now:

Decay under a bright blue sky / Homage to Fall, 2006

This piece is made with a process similar to some of the aerials. I've draped paper over wood panel and used pencil to make rubbings over the textured surface creating tree-like forms. The sky is painted with acrylic paint and offers a sinking, sliding contrast to the spiked and drying wood forms below.

Photography by David Habercom

I've added a link to this reference, Vincent Van Gough's Olive Grove: Bright Blue Sky

Leaf Angels in the Manner of Ana Mendieta: Ground

Here's part of another piece I've been working on for the Tourism and Tragedy series, which overlaps with The Perfect Fall series. It's called Leaf Angels in the Manner of Ana Mendieta:


I dyed a mottled ground on raw canvas, then applied a beeswax resist through rubbing pebbled pavement and brush painting. I redyed it several times, removed the wax and brought out more definition with fabric paints. I chose fabric paints so the canvas would remain soft and pliable. I wanted the paint to meld with the fibers (as in dyeing processes) rather than just sit on top of them like a traditional painting.

Finally, I drew a chalk outline where the shadow of a figure is suggested and photographed it outside on the ground. Something intrigues me about returning art to a site of inspiration like this and then (re)photographing.

I use the word 'rephotographing' because this piece was inspired by photographs I took in the Smoky Mountains for The Perfect Fall Series.

more from The Perfect Fall

This weekend was probably the last for photographing The Perfect Tree for The Perfect Fall as there were only a handful of crumpled leaves left hanging.

Below are two images of the base of the tree. The one on the left was taken midway through the project and the one on the right was taken this weekend. Both are from the same vantage point at slightly different angles and different times of day.


The Perfect Tree, 11-06-06 and 11-18-06

This piece is part of the Tourism and Tragedy series. I've been taking digital photos of one tree as its leaves change color over the course of the season, printing the images on fabric, arranging the fabric images on canvas, and stitching them together to form a composite of the "perfect tree."

cat help for The Perfect Tree for The Perfect Fall

I was working at home this morning on some printed images for constructing The Perfect Tree for The Perfect Fall (still part of the Tourism and Tragedy series), when Babette volunteered her most excellent cat help.

wall of leaves after peak and on to loss

I didn't go to the studio yesterday because I wanted to head up into the mountains (before the local peak tourism season ends) to take more photos for the Tourism and Tragedy series I've been working on.

This is the time of year when people from all over drive up into the Smoky Mountains National Park to witness and photograph the fall colors. Seems everyone is looking for a beautiful view and for ways to preserve the experience.

When I got to the mountains I (and every other driver) found that all routes into the park were closed for some mysterious reason, which I've since found to be because hurricane strength winds knocked a bunch of trees down the day before.

So I had to improvise a strategy that didn't involve me going into the park proper... not that I wasn't already improvising. I just hadn't planned on all the roads being gated closed. The improvisation was more that I wasn't fixed on what kind of photos I was going to take. I only knew that they would be more immersion type images than sweeps of vistas from afar, and that they would be composites of a site (or sites) taken over a period of weeks (or months) as the season progressed and moved into winter... depending on how long I wanted to keep it going and how large I wanted the final piece to be.

The day's photos were so so, but since this particular piece/s is ongoing, that's not too much of a problem. Here are a few of the first images:







I should acknowledge that people are "loving this park to death," so to speak. Unfortunately all the pollution from the motorized vehicles, among other sources, is killing the trees. Here's but one of the many articles.