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I dyed a mottled ground on raw canvas, then applied a beeswax resist through rubbing pebbled pavement and brush painting. I redyed it several times, removed the wax and brought out more definition with fabric paints. I chose fabric paints so the canvas would remain soft and pliable. I wanted the paint to meld with the fibers (as in dyeing processes) rather than just sit on top of them like a traditional painting.
Finally, I drew a chalk outline where the shadow of a figure is suggested and photographed it outside on the ground. Something intrigues me about returning art to a site of inspiration like this and then (re)photographing.
I use the word 'rephotographing' because this piece was inspired by photographs I took in the Smoky Mountains for The Perfect Fall Series.
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2 comments:
fantastic
Thanks.
Saw your work on the gallery website. Looks good! I'll write more about that later.
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