Showing posts with label landscapes. Show all posts
Showing posts with label landscapes. Show all posts

Saturday, April 19, 2008

More conceptual, less material

Here's some playful work from 2001 which I thought was appropriate at this time as I continue to clear out more studio materials... all in preparation for our big move to the Boston area!

These pieces are from the series Found Landscapes in which I chose plywood panels (from the hardware store) with woodgrain patterns suggestive of landscape features. I brought the features out by staining the panels with oil paint.

In the first piece, I collaged a smooth stone in the center of a concentric ripple pattern and then accentuated the pattern by staining with blue paint. In the second, I used yellow paint to stain over a 1/4 circle shape in the upper left corner. Then I outlined the shape and drew sun rays with pencil to suggest a child-like symbol for the sun.




Just as a curious side note, Cathy Malchiodi in her book Understanding Children's Drawings (p. 212-13), suggests and cites research that claims that children who are facing death or loss of a relative will often place a sun in the upper left corner. When I worked with children, I noticed however that most children (even those who are not facing such a loss) tend to put a sun in the upper left corner.

Of course, children from other cultures have different symbolism. For instance, I'm unable to find a reference, but I remember seeing a documentary during my studies about Australian aboriginal children who used semi-circles to represent people in much the same way western children might use the stick figure.

Thursday, April 05, 2007

Decay Under a Bright Blue Sky

I had several pieces professionally photographed yesterday. Below is one of my favorites. It's a humble and poetic little piece (17" x 35") of which I'm very fond. It was part of the Perfect Fall series, and though it's a bit out of season I'm showing it now because I have the image. Will show more of the professionally photographed images later. But for now:

Decay under a bright blue sky / Homage to Fall, 2006

This piece is made with a process similar to some of the aerials. I've draped paper over wood panel and used pencil to make rubbings over the textured surface creating tree-like forms. The sky is painted with acrylic paint and offers a sinking, sliding contrast to the spiked and drying wood forms below.

Photography by David Habercom

I've added a link to this reference, Vincent Van Gough's Olive Grove: Bright Blue Sky