Tuesday, January 29, 2008
Alba D'Urbano Collection: Wearable Photography
Many of you may have already seen this work in which the artist photographed her own nude body, digitally printed the images onto fabrics and built them into a playful collection of couture clothing. Once you get to the site, click on The Collection and The Fashionshow links to see more pieces.
Wednesday, January 16, 2008
The City Without Clothes and the 4-year process
For the New Year, I've been doing a major de-stashing -- donating and giving away to fellow artists many fabrics and materials for which I no longer have use. In the process, I've been clearing out some older work as well. Some pieces I'm re-working or mining for materials, others I'm destroying, but many I'm bringing back out into the light of the studio as that's often my process.
I've heard other artists say similar things about their own work -- that from its conception to the final completion, a piece or series often undergoes about a 4-year process. Some ideas are born fully formed, but many need to ferment in a notebook or project box or even sit partially-formed until mature enough to make their way into the world.
Below is one of those works-in-progress that I started while I was still in Los Angeles. It's another in the aerial / psychogeography series. Forgive the dimly lit image.
City Without Clothes (potentials of paradise) work in progress
The materials are velvet, velour and fleece. The colors may be a bit difficult to read in this dim studio image, but they are very vibrant, yet fleshy: reds, golds, purples, browns, pinks and tan.
In the de-stashing, I also brought out small buckets of velvet buttons in some of these colors that I'd like to add to the piece once I get it stitched together on the machine.
A couple of links in reference to the title:
"The Naked City" is Guy Debord's 1957 psychogeographic map of Paris. Here's an interesting English language article with an image of Debord's map (mid-article). The paper proposes contemporary collaborative and digital mapping of usage (rather than the geometry) of urban spaces.
The "Body without Organs" is a deterratorialzing term from Deleuze and Guattari. This Wikipedia entry offers one explanation that's pretty easy to understand.
My work-in-progress is a sort of map to nowhere (as in utopia). It's bodily, bold, joyful and full of hope. It's personal, in that it's potentially everywhere I may have imagined living, but have yet to even visit. It articulates possibilities and parallel lives that have yet to be lived.
I've heard other artists say similar things about their own work -- that from its conception to the final completion, a piece or series often undergoes about a 4-year process. Some ideas are born fully formed, but many need to ferment in a notebook or project box or even sit partially-formed until mature enough to make their way into the world.
Below is one of those works-in-progress that I started while I was still in Los Angeles. It's another in the aerial / psychogeography series. Forgive the dimly lit image.
City Without Clothes (potentials of paradise) work in progress
The materials are velvet, velour and fleece. The colors may be a bit difficult to read in this dim studio image, but they are very vibrant, yet fleshy: reds, golds, purples, browns, pinks and tan.
In the de-stashing, I also brought out small buckets of velvet buttons in some of these colors that I'd like to add to the piece once I get it stitched together on the machine.
A couple of links in reference to the title:
"The Naked City" is Guy Debord's 1957 psychogeographic map of Paris. Here's an interesting English language article with an image of Debord's map (mid-article). The paper proposes contemporary collaborative and digital mapping of usage (rather than the geometry) of urban spaces.
The "Body without Organs" is a deterratorialzing term from Deleuze and Guattari. This Wikipedia entry offers one explanation that's pretty easy to understand.
My work-in-progress is a sort of map to nowhere (as in utopia). It's bodily, bold, joyful and full of hope. It's personal, in that it's potentially everywhere I may have imagined living, but have yet to even visit. It articulates possibilities and parallel lives that have yet to be lived.
Labels:
aerials,
art quilts,
maps,
psychogeography,
situationists,
theory
Tuesday, January 08, 2008
First Friday of 2008
First Friday was a bit too close to New Year’s Eve, I think. People were probably too partied out to show up in frigid weather for yet another event. Though what we didn’t have in quantity, was certainly made up for in quality.
Met some interesting and thoughtful people (mostly out-of-town visitors or the newly relocated) and had some engaging conversations. ‘Delight’ best describes what I felt that evening… both toward the people we met, but also upon discovery of a few remarkable pieces of art.
First, the exhibition at the UT Downtown Gallery is exceptional. The show, Crave, includes 6 artists (whose obsessive processes include some form of collage) and is curated by Matthew Garrison of PA. The curator and one of the artists, Joel Carreiro of NY, were present for the opening.
Joel, who teaches at Hunter College, constructs grid-like montages (many in concentric configurations) on large-scale wood panels. His process is quite remarkable in that he builds his pieces from medieval and baroque art imagery printed onto transfer paper and ironed directly onto the panels.
Of remarkable note is Amanda Sparks exquisite autobiographical pop-up book entitled Half a World Away, in which she reprinted and transformed childhood photos and other photographic images to create an idyllic and nostalgic fantasy world of what suburban life was or could have been. Hopefully, Amanda will be present at the February First Friday, as the show will continue through the first of next month.
And then upstairs from us at 3 Flights Up, are the delightful little snow globes of Robmat Butler in which he creates little suburban vignettes from train shop miniatures… things like dogs on diving boards under clear water with bits of snow or parked cars with rust-tinged water that looks like a the worst L.A. haze on the worst day.
My Necktie Ballgown got another try from one of our visitors. Forgive the blurry pictures; they were taken on my cellphone in dim light.
Here is the very lovely Jo-Jo. David is to her left.
And here are Daniel, David and Jo-Jo.
Met some interesting and thoughtful people (mostly out-of-town visitors or the newly relocated) and had some engaging conversations. ‘Delight’ best describes what I felt that evening… both toward the people we met, but also upon discovery of a few remarkable pieces of art.
First, the exhibition at the UT Downtown Gallery is exceptional. The show, Crave, includes 6 artists (whose obsessive processes include some form of collage) and is curated by Matthew Garrison of PA. The curator and one of the artists, Joel Carreiro of NY, were present for the opening.
Joel, who teaches at Hunter College, constructs grid-like montages (many in concentric configurations) on large-scale wood panels. His process is quite remarkable in that he builds his pieces from medieval and baroque art imagery printed onto transfer paper and ironed directly onto the panels.
Of remarkable note is Amanda Sparks exquisite autobiographical pop-up book entitled Half a World Away, in which she reprinted and transformed childhood photos and other photographic images to create an idyllic and nostalgic fantasy world of what suburban life was or could have been. Hopefully, Amanda will be present at the February First Friday, as the show will continue through the first of next month.
And then upstairs from us at 3 Flights Up, are the delightful little snow globes of Robmat Butler in which he creates little suburban vignettes from train shop miniatures… things like dogs on diving boards under clear water with bits of snow or parked cars with rust-tinged water that looks like a the worst L.A. haze on the worst day.
My Necktie Ballgown got another try from one of our visitors. Forgive the blurry pictures; they were taken on my cellphone in dim light.
Here is the very lovely Jo-Jo. David is to her left.
And here are Daniel, David and Jo-Jo.
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